Indiana Jones and the Kingdom of the Crystal Skull
As a title, Indiana Jones and the Kingdom of the Crystal Skull is much too long. At 124 minutes, the film was much too long as well. It really should have been cut by, let's say, 124 minutes.There was no need for this fourth Indiana Jones picture to be made. The reason why it was can only be a mystery as it adds nothing to the Indiana Jones mythology. I imagine money played a role somewhere, although I do find it hard to believe that Steven Spielberg or George Lucas would ever make a film principally for that reason.
What went wrong? First of all, the script. Dull and convoluted. This is the plot: Indy is kidnapped by some Soviet agents and forced to find a sarcophagus at a top secret warehouse in America. Having done so, he escapes from the agents' clutches, only to be caught again, before escaping again etc. In between times, our hero is removed from his college post at the instigation of anti-communists. The story moves to Peru where Oxley, a professor friend of Jones, has gone missing. Indy and his new young sidekick, Mutt, find a crystal skull. Apparently, Oxley was looking for this artifact, found it and took it away before replacing it in the graveyard where Indy and Mutt found it again. With the Soviet agents hard on their trail, the pair move on to an old Mayan period site. There, they battle with the communists, find Oxley and more besides and, somehow, manage to return the crystal skull to its rightful owner.
So far, so very Indiana Jones. In that sense the film is a success - it delivers all the things that an Indiana Jones film should: car chases, punch ups, snakes, fantastical objects, ancient civilisations, riddles and codes etc. But as the plot outline above suggests, it doesn't do so in a very streamlined fashion (compare the plot with that for Raiders of the Lost Ark: Indy goes to Egypt to find the Ark of the Covenant. He does so, only for the Nazis to steal it. A final showdown ensues when the Nazis open the ark, thus destroying themselves. QED).
One of the reasons for the dullness of the plot are the numerous references to Indiana Jones's age. Sure, it can't be ignored, but too many references undermine Indiana Jones as a hero and give undeserved attention to Mutt as his heir apparent. This would be justified if the Crystal Skull was to be Harrison Ford's last outing as Henry Jones Jr, but it isn't, so was unnecessary.
Secondly, I felt that the references to the 50s were too heavy and imposing. The film begins with two guys and gals in their car racing along the road with some stereotypical 50s music blaring out. Were we watching Indiana Jones or American Graffiti? Or maybe the first Back to the Future film/ The 50s chic continues when Indiana speaks to Mutt in a café. I'm afraid I don't know what the gangs were called in 50s America, but if you imagine the two gangs in Grease, it is they who populate the café.
The 50s chic is never stronger than in the person of Mutt who in appearance and probably in attitude is firmly modelled on Marlon Brando. Why? Having a character so firmly of an age roots the film in that period in a way that distracts from its timeless qualities. The first and third Indiana Jones films were set in the 30s but in a very naturalistic way that did not impose upon the story. This takes the opposite view, to the film's detriment.
An exciting feature of the first three Indiana Jones films was their realness in terms of the special effects. The Crystal Skull is laden with CGI effects. To my mind, CGI effects are a resource of last resort. Good film makers should build their own sets. Not only does it look better but we get to appreciate their ingenuity more.
Steven Spielberg is one of the greatest cinema directors alive today, but if he has a weakness it must be his sentimentality. The final scene of Schindler's List - where the Jews saved by Schindler come over the hill to lay stones on his grave - and the last 40 minutes of A.I. should never have been shot. The Crystal Skull suffers from the same ailment in its treatment of Marcus Brody, played in the first three films by Denholm Eliot. At first, the nod to him is handled well: we see a portrait of him on the wall at Indiana Jones's college. Without a word being said, we see (or are reminded?) that Marcus held a position of seniority at Marshall College and that he has been remembered after his death. A nice touch. In the next scene, Indy and Brody's successor as Dean, Charles Stanforth (Jim Broadbent) are speaking in the former's study. On the desk are photos of Brody and Henry Jones Jr. Mention is made of them. Fine. But when we see that a great sculpture of Brody has been erected on a plinth in the grounds of the college. Spielberg has in a moment spoiled a rather tender remembrance.The above notwithstanding, the departed are treated better than those present. One should not expect action-adventure films to be searing psychological studies, but a little nod to character would not go amiss. Indiana Jones's friend George 'Mac' McHale (Ray Winstone) turns out to be a traitor. And then he is not. And then he is. Ad nauseam. Irene Spalko (Cate Blanchett) is the principle villain. It is not quite clear though whether she is working on behalf of the Soviet Government or for herself. What is clear, though, is that she desires the crystal skull because it grants knowledge of all things to the owner. Unfortunately, when she finally gains the skull and that knowledge, we see nothing of it except a crazed expression and a few CGI pyrotechnics.
The biggest mistake that The Crystal Skull makes in terms of characters are the appearance of Mutt and return of his mother, Marian Ravenwood. Neither are in the slightest way needed. Of course, it is good to see Marian again; she is a neat point of connection to Raiders of the Lost Ark. But having seen her, I must say that I do not think that action-adventure films do justice to the acting talents of 50 something actresses. These films demand an energy and virility of person that only the young or fit men can provide. The only way in which the presence of a middle aged woman can be justified in terms of the story is if she is fully a part of the adventure - jumping over the rocks, solving the riddles and shooting the enemy. Karen Allen as Marian Ravenwood was not a part of the story in this way and was therefore superfluous to it.
Indiana Jones and the Kingdom of the Crystal Skull is a shallow and flawed film. It is not a terrible one. You can watch it without thinking that you have wasted two hours of your life, but as I said above, it is a tremendous pity that it did not offer anything new to the Indiana Jones mythos.









While reading the blogs earlier this morning, I saw two foxes trot along the wall at the other end of the garden. The first fox, however, did look a little like a cat. Or, at least, that is what it looked like in the half second that I saw it. Apropros of nothing at all, here is a photograph of a robin redbreast perched in the trees of Downside. I had about five seconds to whip out my camera, switch it on and take the pic before the little thing flew away. 






